Your photo comes into focus inside a rattan arch mirror dressed with pampas grass and dried flowers, two sprigs sway in and a sunset light sweeps across; then your names are painted in a brush script on linen.
Bohemian Romance is pampas at sunset. Your own photo comes into focus inside a rattan arch mirror dressed with pampas grass, palm fans and dried terracotta flowers; two loose pampas sprigs sway in from the edges and a warm golden-hour light sweeps across the picture. Then your names appear, painted in a brush script on linen, with the date and the name of your town.
Below, the whole invitation sits on soft linen: the formal wording and the countdown on stitched cream cards, a calendar with your day marked by a little posy of dried flowers, your photos on cream mats, the ceremony and reception, a programme for welcome drinks or an after-party, and the RSVP. It ends with a tied bouquet of strawflowers, bunny tails and eucalyptus, all on one link as easy to share as a text message.
A free-spirited design still needs to speak to everyone at the table. Bohemian Romance renders in English, Swedish, Arabic, Spanish and French; in Arabic the page flows right-to-left and names written in Arabic are painted in a flowing Ruqaa script, so a wedding that blends cultures reads warmly in every guest's own language.
Yes. The linen, rattan and dried flowers were made for meadows, barns, orchards and free-spirited outdoor celebrations.
Yes. Your cover photo sits inside the rattan arch and comes into focus as the invitation opens; you can choose the crop, and the dried flowers frame it on every screen.
The names are fitted automatically: short names are painted on one line, long names are stacked over two lines a little smaller, so they never run off the screen.